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Did Adam and Eve experience true free will, as their consequence– Death– was not (as it is generally understood) fully known?

If the severity of Death was fully understood by Adam and Eve, could their reasoning stem from the Nachash’s manifestation not merely as a physical snake, but in the same almost non-physical likeness as the voice of God– that which “walked” in the cool of the day? Could this possibility lend weight to the convincing means by which the Nachash’s persuasive control locally materializes?

One cannot help but notice the similarities between the intelligent wave form and the subtle movements of the snake– could this intelligence have presented itself as a divine wind, visibly snaking through the local atmosphere?

Could it be that the Israelites were psychologically coerced into a statistical form of free will upon their rapid departure and initiation into the precedent rites of Yhvh during the Exodus?

Can a people have unadulterated free will if they’ve been promised justice and superficial paradise for regimented obedience, while at the same time threatened with total destruction for offense against an unfamiliar Law?

Why is it that the natures of Yhvh and Jesus are in such radical opposition– withstanding even the most aggressive (Apologetic) rationalization?

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Emotional Purity

The emotional surge that occurs when one interacts with true creativity (i.e., Music, Art, and Poetry– that which is founded and crafted in tradition) is necessary for the furtherance of self-mastery. These innate, non-linear aspects of our Spiritual Nature require specific excitation. Therefore, upon exposure to true creativity, our emotional response “purifies” the substance of the higher mind, enhancing its ability to receive and transmit within the medium. Antithetically, as the observer is exposed to works of non-tradition, an emotional response– either consciously and/ or subconsciously– will transduce itself into a state of disharmony. This reaction stems from the artist’s fundamental departure from the ontological passions that operate within man. Further, true creativity does not mean originality for originality’s sake; true creativity develops from a cultivated craft that is founded in a cosmological tradition. Unfortunately, this interactive process of mind-manipulation is two-sided. On one side: constituting a process of natural enlightenment and healing, while on the other: instituting societal Babel under the glorified guise of self-subjected originality.

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“What the mitochondrial gene tree did was to introduce an objective time-depth measurement into the equation for the first time. It showed quite clearly that the common mitochondrial ancestor of all modern humans lived only about 150,000 years ago.” — Bryan Sykes, The seven daughters of Eve: The Science that Reveals Our Genetic Ancestry 

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Death was before man’s “original sin”, and because of preceding Death, all men will sin. Death does not cause man to sin, it’s solely his inheritance, by reason, that all men sin. The resulting guilt from the act of sin remains exclusively with the perpetrator; never is one’s personal guilt transferable unto another (i.e., a descendent). Our inheritance is not “original sin”, it is pre-existing Death. Before (Genesis) man was created, Death existed, arguably poised for the inevitability of man. And yet, it is said that we now have Life– the divine (Logos) utterance of God: Jesus– the Word, manifested. Why else would man be the very fulcrum of the cosmos– what better answer could there be other than: a man? Why else would we be so ultimately crucial to the macro-existence of it all?

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Jesus is the Word (Logos) manifested, while the Bible is man’s attempt to verbally portray the Word in full array.

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